J U N E _ P A K

  • Social Practice
    • NAME Project
    • Invisible Transformation Project
    • LOST___ (___찾습니다)
    • Invisible Labour
    • Paint Job
    • ConverSalon
  • PROJECTS
    • Observation 1
    • Tracing Memory
    • Glitch: 1998-2018
    • June on June
    • retelling
    • IPO: Time-Place-Trace
    • somewhere
    • disclaimer
    • I Am Nothing Without You
    • I'm sorry (I can only give you three seconds)
    • June on June
    • walkthrough
    • Do You?
    • in order to be
    • moving stills
    • double
    • dic'tion-airy
  • ABOUT
  • Press
  • CONTACT
  • Social Practice
    • NAME Project
    • Invisible Transformation Project
    • LOST___ (___찾습니다)
    • Invisible Labour
    • Paint Job
    • ConverSalon
  • PROJECTS
    • Observation 1
    • Tracing Memory
    • Glitch: 1998-2018
    • June on June
    • retelling
    • IPO: Time-Place-Trace
    • somewhere
    • disclaimer
    • I Am Nothing Without You
    • I'm sorry (I can only give you three seconds)
    • June on June
    • walkthrough
    • Do You?
    • in order to be
    • moving stills
    • double
    • dic'tion-airy
  • ABOUT
  • Press
  • CONTACT
CURRENT RESEARCH WITH THE SUPPORT OF CHALMERS ARTS FELLOWSHIP, 2017-2019

The concept of duality has been an important subject in my work, particularly around the issues that relate to my own personal location of being hyphenated — Korean-Canadian. With this fellowship, I am expanding my research to hyphenated subjects living in Korea: How do other hyphenated subjects navigate their way around in Korea, a nation proudly proclaiming its homogeneity?; as a fairly new concept compare to Canada, what are the workings and understanding of multiculturalism in Korea? This new research direction is particularly important at this juncture of my career, as this added dimension of the hyphenated subject will enhance and broaden my own understanding of transnational migration (either through immigration or temporary working circumstances) and the politics of diaspora.

Approaching these questions from every day and lived experience is important for me. From number of visits to Korea and collecting interviews from diverse groups, reflecting on their unique experience, I am working towards making a visual essay, bookwork, and mapping project.

​SELECTED RECENT PRESENTATIONS

2020
Alliances & Commonalities, Artistic Research Conference,  Stockholm University of the Arts, Stockholm, Sweden, October 22-24, 2020

2018
Being Korean-Canadian: Hyphenation as Identity, Seminar at Summer Institute 2018, York University

2017
"Dislocated, Inspired, Connected: With a focus on Korean Inspiration", Korean Cultural Centre Theatre, Ottawa, CA
Panelists: Caroline Andrieux, Brendan Fernandes, June Pak, Stefan St-Laurent and Pavitra Wickramasinghe
Moderator: Jinny Yu

2016
Guest Lecture: "Ethnic (In)Visibility and Visual Representation", The Art of Asia, York University, Toronto


2015
Guest Lecture: "(In)Visibility | Ethnicity | Hyphenation", Graduate Seminar, York University

2014
“Locating Multiculturalism Between Commodification and Ideology” (Peer-reviewed paper presentation), Asian Canadian Studies Conference (OISE) What Difference Does ‘Asian Canadian’ Make? Power, Knowledge, and Resistance, University of Toronto, Toronto, CA

“Visibility | Ethnicity | Identity: Studying Through The Invisible Transformation Project and Paint Job” (Peer-reviewed paper presentation), Canada: Place, Space, and the Politics of Identity, Robarts Centre for Canadian Studies, York University, Toronto, CA

“Visual Representation of Ethnicity at the Location of Hyphenation”, Visual Spectacle in contemporary Asian Art (Graduate Seminar), York University, Toronto, CA (Prof. Nell Tenhaaf)


© June Pak
Artist would like to acknowledge the financial support of the following institutions for her projects:
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