J U N E _ P A K

  • (In)Visibility
    • Invisible Transformation Project
    • Invisible Labour
    • Observation 1
    • Tracing Memory
    • Glitch: 1998-2018
    • I Am Nothing Without You
    • retelling
    • walkthrough
    • moving stills
    • disclaimer
  • Duality
    • retelling
    • double
    • in order to be
    • The Invisible Transformation Project
    • Tracing Memory
    • June on June
    • Do You?
    • I'm sorry (I can only give you three seconds)
    • dic'tion-airy
  • Storytelling
    • Paint Job
    • IPO: Time-Place-Trace
    • I'm sorry (I can only give you three seconds)
    • Out of Order with June Pak
    • June on June
    • The Invisible Transformation Project
  • Collaborations
    • somewhere
    • The Shaman
    • security
  • RESEARCH/ PRESENTATION
  • ABOUT
    • PRESS
    • Practice
    • TEACHING
  • CONTACT
  • (In)Visibility
    • Invisible Transformation Project
    • Invisible Labour
    • Observation 1
    • Tracing Memory
    • Glitch: 1998-2018
    • I Am Nothing Without You
    • retelling
    • walkthrough
    • moving stills
    • disclaimer
  • Duality
    • retelling
    • double
    • in order to be
    • The Invisible Transformation Project
    • Tracing Memory
    • June on June
    • Do You?
    • I'm sorry (I can only give you three seconds)
    • dic'tion-airy
  • Storytelling
    • Paint Job
    • IPO: Time-Place-Trace
    • I'm sorry (I can only give you three seconds)
    • Out of Order with June Pak
    • June on June
    • The Invisible Transformation Project
  • Collaborations
    • somewhere
    • The Shaman
    • security
  • RESEARCH/ PRESENTATION
  • ABOUT
    • PRESS
    • Practice
    • TEACHING
  • CONTACT
INTERVIEWS

Special Guest: June Pak on the exhibition Colour Theory: The visible and invisible, Global Family by Kim Go-Eun, BBS Buddhist Radio, Seoul, KR. May 13, 2019

Interview with June Pak, Mullae Radio with Son Kun-Woong and Lee Bo-Ram, Migrant World TV, Seoul, KR. May 4, 2019 (Listen, interview is in Korean)

SELECTED TEXT
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POP UP SHOP
Organized by Centre [3] for print and media arts
July 10-26, 2015
Barton Street East
Hamilton, ON. Canada

Artist-in-Residence Catalogue
Essays by curators: Jim Riley and Rita Camacho Lomeli

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"Secret Immigration"
by Andy Patton

full text (pdf)

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somewhere between

Centre [3]
Curatorial essay by Sally Frater

 
full text (pdf)


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Somewhere
YYZ
Exhibition essay by Kathryn Mockler and David Poolman
 
full text


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One-Dimensional _________________
Modern Fuel
Curatorial essay by Michael Davidge

full text


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Dowsing for Failure
November 24, 2006 - January 20, 2007
Open Space Arts Society, Victoria, BC
Curators: Ted Hiebert & Doug Jarvis
Artists: Benjamin Bellas, Nate Larson, Gordon Lebredt, Daniel Olson, Mike Paget, June Pak, Anthony Schrag

Exhibition catalogue with texts:
Dialogues of Failure: Brian Grison in conversation with Doug Jarvis & Ted Hiebert
Thinking in Hindsight: Ted Hiebert & Doug Jarvis in Conversation

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Visiting Artist-in-Residency, 2006
Published by Alternator Gallery for Contemporary Art, Kelowna, BC
ISBN: 978-0-9682197-9-9

Introduction: Jennifer Pickering (Exhibition Director)

full catalogue (pdf)


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How does one make art when the world is in such a state? How does one make art out of information that most of us would rather ignore? How does one inscribe an artistic practice in a landscape over-saturated by consumption? How does one make visible the invisible? - Alfredo Jaar

Estetica della resistenza: The Aesthetics of Resistance

Visiting Professor: Alfredo Jaar
XI Advanced Course in Visual Arts (2005)
Fondazione Antonio Ratti
Como, Italy

Residency and Exhibition Documentation with essays by
Roberto Pinto, Alfredo Jaar, Anna Daneri



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Untitled: diciassette giovani artisti
26 November - 21 December, 2005
VenturaXV, Milan, Italy
Curators: Alessio Ascari ed Edoardo Bonaspetti

Exhibition catalogue
Essays by Daniela Cristadoro, Alessio Ascari, Edoardo Bonaspetti, Angela Vettese
© 2005 Postmedia Books, Milano

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"Instant Replay"
Exhibition review by Wes Lafortune

full text (pdf)



© June Pak
Artist would like to acknowledge the financial support of the following institutions for her projects:
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